Showing posts with label creative nonfiction. Show all posts
Showing posts with label creative nonfiction. Show all posts

Tuesday, December 11, 2012

Poet and labor activist Mark Nowak wants to hear your story about "Working in Wyoming"



Poet, teacher and and labor activist Mark Nowak will serve as eminent writer-in-residence for the University of Wyoming creative writing program in February. He sent this info about the "Working (in Wyoming)" project he'll be conducting when he's in the state. Here it is:

Working (in Wyoming) is a community-building, creative investigation of what it means to labor in Wyoming.

A series of creative writing workshops will be held in southeastern  Wyoming (Laramie and Cheyenne) in February of 2013. These workshops will be facilitated by Wyoming writing instructors and students in the University of Wyoming's MFA program in creative writing. In these workshops, Wyoming
 workers of diverse backgrounds will have the opportunity to collaborate with others in the Wyoming community to create a short piece of creative writing (a poem, a parable, a short story, a piece of flash fiction/nonfiction, etc.).

Working (in Wyoming) will culminate in a large-scale yet intimate evening event in Laramie on February 28. Here working people from across the state will have the opportunity to share what it means to work in Wyoming with a presentation of pieces created in workshops.

FMI: Kay Northrop at knorthrop@uwyo.edu or Brie Fleming at briennafleming5@gmail.com

Read more on the project's Facebook page

Tuesday, July 3, 2012

Call for entries: Epiphany Journal

This comes from Writers Studio News and might be of interest to those of you entering this year's WAC fellowships judged by Brian Turner:

CALL FOR SUBMISSION FROM THE LITERARY JOURNAL EPIPHANY. Epiphany's upcoming fall issue will be devoted to the subject of war and edited by poet Brian Turner, author of the remarkable Here Bullet. The magazine is still in need of nonfiction -- both memoir and essay. Enter by August 15th. www.epiphanyzine.com

Thursday, February 23, 2012

Call for entries: Wyoming Writers, Inc., annual writing contest

Wyoming Writers, Inc., 2012 Contest Instructions
Deadline: March 15, 2012

All entries
A cover page with the following information must accompany each entry:
            Category entered
            Title(s)
            Word count (fiction and non-fiction entries)
            Author’s name, address, phone number and e-mail address (if applicable)

Must be typed on standard 8 ½ x 11 inch white paper, in standard font, 12-point.
Use standard manuscript format, one-inch margins all around.
Only the title and page number must appear on each page in header/footer; author’s name must not appear anywhere on the manuscript.
Do not staple pages together or use a cover or binder; paper clip only.
Submit two copies of each entry.
No previously published work.  All work must be original to the author.

Length limits
3000-word limit for each fiction or non-fiction entry.
40-line limit for each poem.

Poetry entries
One poem per page; maximum three poems per entry.
Each poetry entry should be listed on its own cover sheet.

General information
Keep copies of your work; entries will not be returned.
Entries that do not follow guidelines will not be eligible.
Enclose a self-addressed stamped postcard to acknowledge receipt of your entries.
Winners will be notified by mid-May.

Submission categories
Adult fiction (no horror or erotica)
Fiction for children/juveniles
Non-fiction
Poetry: traditional
Poetry: free verse

Prizes
1st place all categories— $50
2nd place all categories— $30
3rd place all categories— $20

Winners will be announced at the annual Wyoming Writers conference in early June.

Entry fees
Members— $10 per entry
Non-members— $15 per entry
Mail entries to: John D. Nesbitt, Eastern Wyoming College, 3200 West C Street, Torrington, WY  82240; 307-532-8292John.Nesbitt@ewc.wy.edu

Reminder:  Deadline is March 15, 2012

Tuesday, February 14, 2012

UW Eminent Writer in Residence John D'Agata reads from his work March 7 at Second Story Books in Laramie

From a UW press release:
The MFA program in Creative Writing welcomes its first 2012 Eminent Writer in Residence, John D’Agata, to campus this February. The acclaimed author of About a Mountain (W.W. Norton 2010) and Halls of Fame (Graywolf 2003), D’Agata has also edited The Next American Essay (Graywolf 2002) and The Lost Origins of the Essay(Graywolf 2009). During his two-week residency at Wyoming, he will visit university classes, consult on manuscripts with graduate students in creative writing, and discuss the writing life with a wide range of campus members.
D’Agata’s latest project is The Lifespan of a Fact (W.W. Norton 2012), which reproduces the extensive correspondence between D’Agata and Jim Fingal, a fact-checker for The BelieverPublishers Weekly describes the book as “very apropos in our era of spruced-up autobiography and fabricated reporting,” adding that “this is a whip-smart, mordantly funny, thought-provoking rumination on journalistic responsibility and literary license.” The Kirkus Reviews suggests that “[The Lifespan of a Fact] will be eagerly devoured and loudly discussed by creative-nonfiction writers and readers who thrive on books about books.”
On Wednesday, March 7, 7 p.m, D’Agata will give a reading from The Lifespan of a Fact at Second Story Books, located at 105 Ivinson Avenue. This event is free and open to the public, and will be followed by a book-signing.
For more information about D’Agata and Wyoming’s Eminent Writer in Residence program, please visit the MFA website at www.uwyo.edu/creativewriting or contact Gwynn Lemler at cw@uwyo.edu or 766-6453.

Wednesday, February 1, 2012

Essayist and fiction writer Poe Ballantine featured in "A Writer's Life" at LCCC April 10

“A Writer’s Life” -- Writer's Workshop

Featuring Poe Ballantine

Tuesday, April 10, at LCCC Center for Conferences and Institutes, Room 129/130, Cheyenne

Writer’s Workshop – 1-3 p.m.
Public Presentation and Book Signing – 7 p.m.

Free and open to the public

Share in the insights of Poe Ballantine, his writing life and the experiences he draws from decades of tramping about the country, taking odd jobs, living on $400 a month and failing spectacularly. Poe has been called “The Voice of the People,” and “The King of the Personal Essay.” Take a view into his writing life, how he got here, how he sustains, the imperative of virgins in volcanoes and the ghosts who watch over us, matters of process, magic, mechanics, flambéing with banana liqueur and whatever else you want to know.

Presented by the Bill and Marietta Dinneen Writers Series

Wednesday, January 25, 2012

Results announced for 2012 Blanchan & Doubleday creative writing competition

The Wyoming Arts Council is pleased to announce the winners and honorable mentions in the 2012 Blanchan & Doubleday writing competition.

The winner of the Neltje Blanchan award for nature writing goes to George J. Vlastos of Casper. His submission was entitled "Out There -- 9 Poems." George teaches language arts at Star Lane Academy in Casper. He stresses performance poetry in the classroom and every year brings his students to the Poetry Out Loud competition in Cheyenne. He serves as emcee for poetry slams held at the Equality State Book Festival and the Casper College Literary Conference.

Winner of the Frank Nelson Doubleday award for women writers is Mary Beth Baptiste of Laramie. Her creative nonfiction manuscript was entitled “Singing Horses.” She worked for a number of years as a wildlife biologist in Grand Teton National Park. Her work has been published in Newsweek, Vermont Literary Review, Copper Nickel and Wyoming Wildlife magazine. She also works part-time as a technical writer.

Each of the winners will receive a $1,000 prize.

Judge for the competition was Susan Tweit, a nature writer from Salida, Colo.

Honorable mentions in the Blanchan category go to poet Matt Daly of Jackson and fiction writer Rosemarie London of Laramie. Doubleday honorable mentions go to creative nonfiction writer Patricia Stuart of Powell and creative nonfiction writer Lynn Carlson of Cheyenne.

The Blanchan/Doubleday awards were established in 1989 with an endowment from Neltje, an artist and arts patron in Banner, Wyo.

They are designed to bring attention to writers who have not yet received wide recognition for their work, and to support emerging writers at crucial times in their careers. Poets, fiction writers, essayists, and script writers who have published no more than one book in each genre and who are not students or faculty members are invited to apply.

Applications are available each fall from the Wyoming Arts Council.

FMI: Contact Michael Shay, WAC individual artist program specialist, 307-777-5234 or mike.shay@wyo.gov

Wednesday, November 9, 2011

Call for entries: Open Window literary magazine

Lori Howe sends this call for submissions:

Open Window, the new on-line literary magazine of LCCC’s Albany County Campus, invites you to submit your creative work for publication in its inaugural issue. 

Open Window is a literary magazine that publishes three regular issues and one special topics issue each year. We publish new and established writers, and invite you to submit in one or more of the following categories:

*Fiction: up to 5 pages of fiction

*Non-fiction: up to 5 pages of non-fiction

*Poetry: up to three poems or one long poem

*Please submit your creative work via email as an attachment in Word document format; work submitted in any other form will not be considered for publication. Submit your work by NOVEMBER 25, 2011, to openwindow.howe78@gmail.com

*Please observe the standard of numbering your pages and using 12-point font.

*Simultaneous submissions are acceptable with immediate notification of alternate publication.

*Please include a short cover page with bio, along with your work; in it should be your full name, some information about yourself, and a description of the work you are submitting for consideration, so that it will be read by the appropriate editor.

There are no reading or submission fees at Open Window. 

The first issue of Open Window will be published the third week of December, 2011. Acceptance/rejection notices will be sent via email before this date. 

Open Window Launch Party/Reading: A gala opening of Open Window, with a reading by the writers published in the first issue, will be held in the reading space above Night Heron Books in Downtown Laramie the week before Christmas, 2011. All of our writers are invited to participate and bring friends and family to help celebrate the occasion with appetizers and desserts by The Cakelady.

Friday, October 21, 2011

Postmark deadline Oct. 31 for 2012 Blanchan/Doubleday writing awards

Postmark deadline is Oct. 31 for the 2012 Neltje Blanchan and Frank Nelson Doubleday memorial writing awards.

These awards are designed to bring attention to writers in Wyoming who have not yet received wide recognition for their work, and to support emerging writers at crucial times in their careers. Poets, fiction writers, essayists, and script writers who have published no more than one book in each genre and who are not students or faculty members are invited to apply by submitting manuscripts and an entry form by the Oct. 31, 2011, deadline.

The Neltje Blanchan Award, $1,000, is given for the best poetry, fiction, creative nonfiction, or script which is informed by a relationship with the natural world.

The Frank Nelson Doubleday Award, $1,000, is given for the best poetry, fiction, creative nonfiction, or script written by a woman author.

POSTMARK DEADLINE IS OCTOBER 31, 2011

Printable applications are available on the WAC web site at http://www.wyomingartscouncil.org.

FMI: Michael Shay, 307-777-5234 or mike.shay@wyo.gov

Blanchan/Doubleday judge is Susan J. Tweit

Susan J. Tweit was trained as a field ecologist. But over the years, while she mapped grizzly bear habitat, wildfire patterns and sagebrush communities, she had a revelation: “I loved telling the stories behind the data more than collecting the data.”

Susan is the author of twelve books that explore the interrelationships that form what Aldo Leopold called the "community of the land." Barry Lopez had this to say about Susan’s 2009 book, Walking Nature Home: A life’s Journey: “It's a lovely, brave, inspiring book.... Sometimes I think the highest praise you can give a book is to say that it helped. This book does that.”

Her work has appeared in magazines and newspapers from Audubon and Popular Mechanics to High Country News and the Los Angeles Times -- and has been heard on the Martha Stewart Living Radio Network.

Susan has taught workshops at colleges, universities, and writing festivals from University of California-Riverside and Miami University of Ohio to Wofford College in South Carolina, as well as at home and online. Audiences as diverse as the International Xeriscape Conference, Collegiate Peaks Forum, Monte Vista Crane Festival, and the Walking Words Writing Festival have called her talks "inspiring" and "insightful." She coaches individual writers, reviews manuscripts for university presses, and contributes to “The Perch” blog of Audubon magazine and Story Circle Network's “Her Stories.” Her own blog is at http://susanjtweit.typepad.com/walkingnaturehome.

She belongs to an informal network of writers and artists who speak for the land, and to Story Circle Network, Women Writing the West and Colorado Author’s League.

She is a passionate gardener who grows her own vegetables, fruits and herbs, and also enjoys the challenge of native plant restoration and "wildscape" design. She lives with her husband, sculptor Richard Cabe, in a house heated and powered by the sun, on a reclaimed industrial parcel in a high-desert valley tucked in the shadow of the tallest stretch of the Rocky Mountains in Colorado.

Thursday, August 18, 2011

Susan J. Tweit named judge for 2012 WAC Blanchan & Doubleday writing awards

The Wyoming Arts Council is pleased to announce that Susan J. Tweit will serve as the judge for the 2012 Neltje Blanchan and Frank Nelson Doubleday memorial writing awards.

These awards are designed to bring attention to writers in Wyoming who have not yet received wide recognition for their work, and to support emerging writers at crucial times in their careers. Poets, fiction writers, essayists, and script writers who have published no more than one book in each genre and who are not students or faculty members are invited to apply by submitting manuscripts and an entry form by the Oct. 31, 2011, deadline.

The Neltje Blanchan Award, $1,000, is given for the best poetry, fiction, creative nonfiction, or script which is informed by a relationship with the natural world.

The Frank Nelson Doubleday Award, $1,000, is given for the best poetry, fiction, creative nonfiction, or script written by a woman author.

POSTMARK DEADLINE IS OCTOBER 31, 2011

Printable applications will be available on the WAC web site by Aug. 26. Applications will be sent next week to those on the WAC literary mailing list. 

FMI: Michael Shay, 307-777-5234 or mike.shay@wyo.gov

Blanchan/Doubleday judge Susan J. Tweit

Susan J. Tweit was trained as a field ecologist. But over the years, while she mapped grizzly bear habitat, wildfire patterns and sagebrush communities, she had a revelation: “I loved telling the stories behind the data more than collecting the data.”

Susan is the author of twelve books that explore the interrelationships that form what Aldo Leopold called the "community of the land." Barry Lopez had this to say about Susan’s 2009 book, Walking Nature Home: A life’s Journey: “It's a lovely, brave, inspiring book.... Sometimes I think the highest praise you can give a book is to say that it helped. This book does that.

Her work has appeared in magazines and newspapers from Audubon and Popular Mechanics to High Country News and the Los Angeles Times -- and has been heard on the Martha Stewart Living Radio Network. 

Susan has taught workshops at colleges, universities, and writing festivals from University of California-Riverside and Miami University of Ohio to Wofford College in South Carolina, as well as at home and online. Audiences as diverse as the International Xeriscape Conference, Collegiate Peaks Forum, Monte Vista Crane Festival, and the Walking Words Writing Festival have called her talks "inspiring" and "insightful." She coaches individual writers, reviews manuscripts for university presses, and contributes to “The Perch” blog of Audubon magazine and Story Circle Network's “Her Stories.” Her own blog is at http://susanjtweit.typepad.com/walkingnaturehome.

She belongs to an informal network of writers and artists who speak for the land, and to Story Circle Network, Women Writing the West and Colorado Author’s League.

She is a passionate gardener who grows her own vegetables, fruits and herbs, and also enjoys the challenge of native plant restoration and "wildscape" design. She lives with her husband, sculptor Richard Cabe, in a house heated and powered by the sun, on a reclaimed industrial parcel in a high-desert valley tucked in the shadow of the tallest stretch of the Rocky Mountains in Colorado.

Wednesday, February 23, 2011

Call for entries: Wyoming Writers, Inc., writing contest

Wyoming Writers, Inc., announces contest guidelines:
Hard copy entries much be postmarked by April 9, 2011.
Entry fee:  $10.00 for each entry from members of Wyoming Writers, Inc., $15.00 for non-members,
Member fee for poetry is $10.00 for 3 poems, non-members $15.00 for 3 poems. We encourage non-members to join the organization. Information and membership form are available on www.wyowriters.org. Contest entry forms are also available on the web site, and from flyers in libraries and bookstores, and in the WyoWriters newsletter.  You may photocopy an entry form.
No limit on the number of entries, but there is an entry fee for each manuscript and every 3 poems. Include one check for the total amount. No entry fees will be refunded. 
Eligibility: The contest is open to all writers. All works must be the unpublished and the original work of the   submitter. All works must be in English. Work accepted or under consideration for publication elsewhere, or entered in another contest simultaneously is not eligible. Work that has previously placed or received an honorable mention in a Wyoming Writers, Inc. contest is not eligible. Work may be submitted to other contests or for publication after the contest deadline.
Categories
Adult Fiction: (No horror or erotica) 3000 words maximum
Fiction for Children/Juveniles:  3000 words maximum
Non-fiction:  Personal experiences and Memoirs3000 words maximum
Non-fiction:  Articles and Essays., 3000 words maximum
Traditional Poetry:  28 lines maximum; up to 3 poems per submission.
Free Verse Poetry:  28 lines maximum;  up to 3 poems per submission
Prizes:   First place: $50, Second place: $30,  Third place $20. Each will get a certificate. There will be no Honorable Mentions.  Winners will be notified the latter part of May. Winners will be announced at the WWInc 2011 Conference to be held at the Ramada Plaza Riverside,CasperWY June 3-5, 2011.

Thursday, January 6, 2011

Winners announced for Blanchan/Doubleday awards

The Wyoming Arts Council is pleased to announce the winners of the 2011 Blanchan/Doubleday writing awards.

Recipient of the Neltje Blanchan Memorial Writing Award for nature writing is Patricia Frolander of Sundance. She will receive a $1,000 prize for a series of poems entitled “Married Into It.” Honorable mentions in this category go to Jane Dominick of Laramie for “Cottonwoods” and other poems and Darcy Lipp-Acord of Weston for her creative nonfiction entry, “Homework: Lessons from Allison.”
 
Recipient of the Frank Nelson Doubleday Memorial Writing Award for women writers is Edith Cook of Cheyenne. She will receive a $1,000 prize for her prose manuscript, “A Cold Day in Hell.” Honorable mentions go to Lynn G. Carlson of Cheyenne for her creative nonfiction entry, “With All Due Respect” and Darcy Lipp-Acord of Weston for “Homework: Lessons from Allison.”  

Judge for this year's competition was Ohio poet and fiction writer Jeanne Bryner.

The competition is sponsored by the Wyoming Arts Council and funded by artist and arts patron Neltje.

For more information about the Wyoming Arts Council’s programs for individual artists, contact Michael Shay at 307-777-5234 or mshay@state.wy.us.

Tuesday, January 4, 2011

UW Eminent Writer in Residence will work with students on Laramie Atlas Project


From a University of Wyoming press release:

Rebecca Solnit, an acclaimed author of numerous celebrated works of nonfiction, is the latest Eminent Writer in Residence in the University of Wyoming's MFA program in Creative Writing.

An activist, art critic and cultural historian, Solnit will spend four weeks at UW guiding an interdisciplinary group of students in creating a unique atlas devoted to Laramie and the region. Her most recent work is "A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster," and "Infinite City: A San Francisco Atlas."

"Rebecca Solnit believes maps and atlases can lead us toward a new way of understanding the places we live in," says MFA faculty member Alyson Hagy. "The sense of place is strong in Wyoming. Solnit's Laramie Atlas Project will invite students to make new maps -- some of them traditional, some of them innovative and even eccentric -- of the region to chronicle its nature and ties to the larger world."

Solnit will visit UW classes across campus and consult with MFA students on their writing during her residency. Her visit is co-sponsored by the Albany County Public Library Foundation, the UW Art Museum, The Helga Otto Haub School of Environment and Natural Resources and the Social Justice Research Center.

Solnit also will conduct two public presentations during her residency.

The first presentation, "Infinite City/Gem City: Reimagining Maps and Atlases," is at 5:30 p.m. Wednesday, Jan. 12, at the Albany County Public Library. She will introduce the Laramie Atlas Project, discuss her latest book and sign books after the presentation.

Her Laramie Atlas Project presentation is similar to the "Infinite City" project in San Francisco. Solnit will solicit input from Albany County residents as she launches the creation of an innovative set of local maps.

The second public event, "The Laramie Atlas Project: Work-in-Progress Discussion," is at 7 p.m. Monday, Jan. 31, at the UW Art Museum. Solnit will discuss her effort with UW students to "remap" the community and its resources. A reception follows.

Solnit's residency follows the Eminent Writer residencies of fiction writer Rattawut Lapcharoensap and poets Jan Zwicky and Robert Bringhurst. Previous Eminent Writers in Residence have included Edward P. Jones, Philip Gourevitch, Claudia Rankine and Joy Williams.

For more information, visit the MFA Web site at www.uwyo.edu/creativewriting or e-mail Gwynn Lemler at cw@uwyo.edu.

Photo: Rebecca Solnit is the latest Eminent Writer in Residence in the University of Wyoming MFA program in Creative Writing. (Photo courtesy of Scott Sommerdorf/San Francisco Chronicle)

Monday, November 22, 2010

Call for blog posts: Creative Nonfiction food issue

From Creative Nonfiction magazine:

Creative Nonfiction is seeking narrative blog posts to reprint in our upcoming food issue.

We’re looking for: interesting, true stories that focus on food, including restaurant reviews; tales of meals gone awry; secrets, tips and kitchen short cuts; confessions from cooks, chefs and/or servers; an examination of the kitchen life; and so on. Narrative, narrative, narrative. Posts that can stand alone, 2000 words max, from 2010. Something from your own blog, from a friend’s blog, from a stranger’s blog.

The small print: We will contact individual bloggers before publication and pay a flat fee for one-time reprint rights. Deadline for nominations: 11:59 PM EST, Monday, November 29, 2010. Nominate as many posts as you like, though we ask that you not nominate the same post multiple times.

FMI: http://www.creativenonfiction.org/blog_nomination.html

Tuesday, November 16, 2010

Call for entries: Jackson Hole Review

JH Weekly Editor Matthew Irwin sends this info:

The alt-weekly Jackson Hole Weekly recently acquired a fledgling lit mag, called Jackson Hole Review. We will be redesigning the publication and the website, but in the meantime, we're seeking submissions for our winter issue, themed "connect/disconnect." The cutoff date is January 12, 2011. For submission guidelines, an explanation of the theme and our mission, visit http://www.jhreview.com/.

Monday, October 18, 2010

Owen Wister looking for submissions

Luling, who I met at the Gretel Ehrlich writing workshop this past August, is this year's non-fiction editor for the Owen Wister Review, the University of Wyoming's art and literary journal, and has recently sent this notice out. Access their blogsite down below, to submit online.

Submission Guidelines:
Accepting unpublished
  • Manuscripts in creative nonfiction, fiction, poetry, and art.
  • Reading period is from September 1 through January 15. Submissions received outside that time frame will be recycled.
  • One prose piece (4,000 words or less) or up to six poems at one time. You may submit in multiple genres, but please submit each genre separately.
  • Up to 4 pieces of art, which includes, but is not limited to, sculpture, sketches, photography, painting, and graphic designs. Art should be submitted digitally at a printable quality, typically 300dpi or higher, in either JPEG or TIFF format. Postal submissions need to be recorded onto a CD-R that is readable in any computer. All art submis-sions will be considered for the forthcoming OWR cover.
  • Simultaneous submissions are accepted, but please indicate in the cover letter that you are submitting simultaneously and do notify us promptly if the manuscript is accepted elsewhere. Reporting time is generally one to three months.
  • For interviews, book reviews, longer prose submissions (4,000+ words), or general questions please send a query letter first to owr@uwyo.edu.

Formatting Guidelines:
  • All written submissions should be typed on one side of the page. Please double-space prose submissions.
  • You may submit online through Submishmash by visiting our website or by sending postal submissions to the ad-dress below.
  • Address submissions to the specific genre editor and include a cover letter. Cover letters should include author’s name, address, phone number, and e-mail address. If mailing post submissions, please include a self-addressed stamped envelope (SASE) for replies regarding your submission.
Owen Wister Review [Genre] Editor Dept. 3625 1000 E. University Ave. Laramie, WY 82071

http://www.owenwisterreview.com/

Thursday, October 14, 2010

Remembering the 2010 Equality State Book Festival

Lee Gutkind, author and founder of Creative Nonfiction magazine, reads from his work during the WAC creative writing fellowship reading Sept. 24 at the 2010 Equality State Book Festival in Casper. Gutkind served as judge for the fellowships. The reading, held in the Goodstein Foundation Library at Casper College, included fellowships winners Pam Galbreath, Joel Burdess and Jayme Feary and 2010 Blanchan/Doubleday award winner Nina McConigley. Photo: Jane Young

Tuesday, October 5, 2010

Hiking the nonfiction trail with Lee Gutkind, Part 2

This view of the Tetons is in the late afternoon,
after we'd hiked around the lake.
If you're interested, read part 1 here: http://wyomingarts.blogspot.com/2010/10/if-memory-serves-me-part-1.html

Back in Dubois, we checked into our motel and cleaned up, for dinner at the Rustic Pine Tavern.

We settled into a bottle of Kendall Jackson before our steak dinners arrived. Throughout the night, we told our non-fiction stories about compulsive strangers who just as compulsively disappeared, never to be found again, harmonic healing on a backyard deck and levitating at slumber parties, and deep subjects that broached believing in a spiritual power as opposed to we’re a product of evolution.

Having turned out the all the lights, and us not taking the hint, the bartender came to our table and said, “I hate to be rude, but I’d really like to close up so I can go home and go to bed.” We were the only three people left in the bar (we’d moved into the bar after dinner) except for her and her two friends; it was not quite the midnight hour. We quickly obliged, and made it down the street to another open, but mostly deserted, establishment. Just after we’d arrived, the previous bartender and her two friends showed up. Terry had decided we needed to play pool, and had racked the balls. Somehow, we formed teams. Team Lee and Linda only won because Team Terry scratched twice on the eight ball. I think the teams were organized because Terry was a pool shark, and this would be the only way we had any chance at being contenders.

The next morning was a late start, truth be told. Lee was incredibly chipper after his three cups of large coffee from Kathy’s, the best coffee he’d had so far in Wyoming, he said. Terry was working the crossword, and I was sipping my orange juice and taking tiny bites of my toast and dippy egg, what my daughter and now my grandchildren, call a sunny side up egg.

We loaded up and drove to Grand Teton National Park. Construction on Towgatee Pass looked as if it would take several years to complete, but has moved forward since I passed over it at the end of August. There has been a tremendous amount vegetation shear-off in the the making of steep slopes along parts of the road. We were all convinced that a few added passing lanes could have sufficed to mitigate the traffic problems there.

We drove to the trailhead of Two Ocean Lake, so named because the drainage that flows out of the northeast end of the lake ends up in the Gulf, and the drainage that flows out of the southwest end ends up in the Pacific. The rated easy trail, at one time in the not too distant past, used to circumvent the lake, but for some reason, has been closed off from meeting the west side trail at the south end. You can hike the 4.2 miles over to Jackson Lake Lodge from this point. The Two Ocean Lake trail is about 7.5 miles long.

Not the best view of Two Ocean Lake, but we were almost
at the south end of the lake. You can see the old growth
forest on the west side.
 Terry had hiked the trail numerous times, it’s her favorite, and we were able to make the loop, but for new hikers, this would be confusing and frustrating, as they would have to turn around and go back the same way they came, if they didn’t feel confident enough to look for either side of the trail, the west side being more difficult to find in the forest. She also knew that we should hike the eastern side first. That trail is less shaded and the sun beats down on you. On the western side, old growth forest mostly meets the shoreline and is a cool hike during a hot afternoon. The ground on that side was still damp. Terry and Lee had a discussion about why it was so hard for scientists to admit to the mystery of life. Said Lee, "But what is story without mystery?" Also, that he would now sometimes, when talking about story and mystery, be using the word mystery in place of the word story.

We returned to the Cowboy Café in Dubois and at 4:30 PM, were eating dinner. At 5:30, and were on the road back to Casper and had resumed the telling of our fictional story.

Claudia, now Claudia/Irene and Joe decided to go on a writing workshop in Yellowstone to spend some quality time together, but Joe was afraid to get his feet wet, and wouldn’t cross the river. Claudia/Irene came down with pneumonia, and found herself somewhat attracted to the very ruggedly handsome doctor who was treating her at the hospital. Joe had met Yvette Francois and they stayed out all night on a date. Meanwhile, the Sheriff decided to find Claudia/Irene and sent a telegram to his son, the doctor, asking if he’d seen them. The doc was called away to the emergency room, and threw the note down on the floor because he was not all that happy to hear from his father, because of the love he professed he had for Claudia in the note, seemingly not even thinking about or mentioning his former wife, the good doctor’s mother. Claudia/Irene however picked up the note and read it. She was entirely won over by the love that the Sheriff professed for her in the note and decided then and there to get back to him somehow. She began hitchhiking and low and behold, a carcass-removal Forest Service employee picked her up. She couldn’t stand the smell coming from the back of his carriage, as he had only picked up skunks that day. The horse spooked and the carriage fell over the side of a cliff, taking the employee, too. Claudia/Irene decided she would ride the horse back to where The Sheriff was.

From here the details become…sketchy. There is a need to hunt and kill the albino wolverine for food; Joe needs to make a blow gun for this purpose, which he learned to do from an elder in the rain forest, although he had to use poisonous mushroom paste instead of poison from an Amazon frog; an avalanche; a ride down the river on a log, onto which Joe jumps while holding the still live wolverine, no longer afraid of getting his feet wet after a long stint in counseling; suddenly the water disappears into a black hole and only the Sheriff is left balanced on the cliff of the falls; he will dedicate the rest of his life to studying this “mystery;” Claudia/Irene, Joe and Yvette Francois go to a restaurant and are served french fries…whoops not yet. A man at the restaurant usurps the french-fry-on-sandwiches idea, goes to Casper and opens his own restaurant, but when the owner of the original idea finds out, does away with him. Claudia/Irene sees a stranger in the back of the room, and they are instantly attracted to each other, but before he and Claudia/Irene can get together, he has to go swim forty laps, play two rounds of golf and run twenty miles; they open up their own restaurant back in Meeteetse, where Claudia/Irene, whose stage name is Mindy, sings. You may have guessed that there were “personal details” feeding this half of the story line. Credit Lee for that impetus.

Lee said, "There is no hope for bringing this story around, so I am just going to tell you the name of the restaurant." So, back in the 1950s, truckers delivered their wares to the warehouse district, called The Strip, in Pittsburgh. Produce deliveries never really started until around midnight and when the truck drivers finished unloading their trucks, these guys were hungry. Only one restaurant was willing to open—at 3 AM—for this special clientele. Primanti’s is their name, and putting french fries on every sandwich and, eventually, into chef’s salads, was, and is to this day, their game. After nearly seventy years, Primanti’s has several locations. Lee says you now see guys in tuxes and women in formals eating there. “And that is why you,” Lee concluded, “in Casper, Wyoming, have been served a chef salad with french fries in it.”

It was close to nine when we dropped Lee off at his hotel. He had a very early morning flight out. We hugged and told Lee to come back to Wyoming soon. There is always the promise of more stories to tell.

Linda Coatney

Monday, October 4, 2010

Bell, Box and Jenkins at Albany Co. Library Oct. 13

Laura Bell of Cody, C.J. Box of Cheyenne and Laramie's Mark Jenkins are featured at "Wyoming Writers" event on Wednesday, Oct. 13, 5-6:30 p.m. at the Albany County Public Library in Laramie.

The event is free but pre-registration is required.

FMI: Marjorie Daley at 307-721-2580 x5456.

Friday, October 1, 2010

Hiking the nonfiction trail with Lee Gutkind Part 1

It all started with french fries in my chef’s salad. I thought maybe a couple had unintentionally fallen off another plate, unnoticed by the cook or the waitress, and landed at the edge of the contents of my bowl. But as I ate, I realized the french fries throughout were mixed in too flawlessly to be accidental.

Interesting image I found of Lee
I finally mentioned this in the car to my lunch pals, Mike Shay and Lee Gutkind. It was the first day of the Equality State Book Festival, and we were headed back to the Goodstein Library for the Wyoming Arts Council’s Fellowship readings. Non-fiction was the genre this year, and Lee had been the judge. He would also be reading after the fellowship winners had read, staying for the festival and be part of the nonfiction panel discussion, and then he and longtime friend Terry Rasmussen, English instructor at Casper College, were going hiking around Dubois for a day or two before Lee had to get back to Pittsburgh.

Lee had brought with him the first edition of the new magazine format of Creative Nonfiction, of which he was founder and is still editor. The first issue of Creative Nonfiction came out in 1993 as a literary journal--what turned out to be the only place publishing nonfiction exclusively. But subscriptions/circulation had dipped in recent years, and the staff was looking for a way to bring back the readership.

The new design contains features on nonfiction, as well as nonfiction from new sources, such as blogs and science and technology as narrative. As Lee says in his editorial from this revamped first issue, “In fact, creative nonfiction is the fastest growing segment of the academic writing community and is, even in this dismal economic cycle, one bright spot in the publishing world, continually increasing its share of the market.” Subscriptions are now climbing, and their sales are up thirty-five percent.

So back to french fries. “Doesn’t that seem a little counter intuitive, putting french fries in a green salad?” I asked from the back seat.

“I know the name of the restaurant that started that food trend,” Lee says.

“It’s a trend?” I asked skeptically. “So, what’s the name?”

“I will tell you the name of the restaurant if you buy a subscription to Creative Nonfiction.”

It wasn’t quite that quick of a cut-to-the-chase, but you get the idea where this is going. The mystery of the restaurant’s name hung in the air, at least for me.

The next day at lunch, Terry asked me if I wanted to go hiking with her and Lee. I wasn’t sure that I could. I seemed to feel I had things to do. Lee, who overheard the invitation, said, “I will only tell you the name of the restaurant if you go hiking with us.”

“Oh great,” I whined to Terry. “He said he would tell it to me if I bought a subscription, now it’s if I go hiking.” Lee overheard me, and his telling of the name vacillated vaguely back to hinging on me buying a subscription.

At the event’s ending banquet that evening, Terry asked me if I was going. “Yes, I’ve decided to go.” I’d already bought a two-year subscription that afternoon after the nonfiction panel discussion. “Will you tell me now?” I asked him after I handed over my check.

“If you want me to,” he’d said coyly.

“Oh, I can hear it on the trail. I’m patient.”

We left Casper Sunday morning under a clear autumn sky and summer-like temperatures. The region had been (and still is as of this writing) under a high-pressure weather system for the previous month-and-a-half, and the weather was going to hold for at least the next seven days.
Sometime around Powder River, Lee suggested that we should tell a collaborative story, upon which the ending would lead to his revealing the name of the restaurant in question. Terry began the story, and knew enough that it should include french fries, but wasn’t fully aware just yet of why.
 
We, well they, covered a lot of ground with (some of the names have been changed to protect the unaware) Claudia, Jack and the Sheriff getting to the chopping up of a potato as well as Jack, and both being thrown into a pot on the stove, heated by wood that Claudia had to split (my contribution, as well as something about carrots). The Sheriff became worried about Jack’s whereabouts, knocking on Claudia’s door, where he could finally let loose his hidden attraction for her, and she for him. A stranger named Joe appeared while Claudia was unconscious in the garden while picking vegetables for the salad she was going to serve the Sheriff, and Jack’s skull was offered, or asked for, as some kind of souvenir to take back home, after Joe and Claudia recognized themselves as long-ago-separated mother and son in a fluke of identity. 
 
Fortunately for the story’s sake, we had gotten to Dubois and it was time for lunch at the Cowboy Café. Lee ordered a chef’s salad and I asked the waitress if they put french fries in their salad. She gave me an odd look and shook her head no. Lee and I laughed, and Terry wanted to know more about the french fry/salad thing.

After lunch, Terry driving, we arrived at the trailhead at Brooks Lake that would lead us to Jade Lake, ranked an “easy” hike by trail standards. All along the mountains, Aspen stands uttered their brilliant yellow color with certainty, no matter that the temperature was still in the upper seventies or low eighties.

Early afternoon. A few hikers and a string of packhorses were making their way down the trail that we were headed up. We were at the north end of Brooks Lake and a few gusts had kicked up. A couple of dogs wandered around, half wet from wading into the lake. We were finally ready. It was a five-mile hike up to the first of the two Jade Lakes.

Soon, we were up the first hill of the trail, and into the coolness of the pine forest, stopping occasionally to catch our breath after a steep climb, or just to take in some stunning vista. A woodpecker had found what sounded like a hollow tree and was beating out a message that echoed around the tops of the trees. We reached upper Jade Lake about 4:30 PM. The lake is so named because the water is just that color, which is not an illusion; nor does the color of the water change depending on how the sun is hitting it. A deep lake, you can see the shore drop away just two feet from the water’s edge.

Upper Jade Lake
We pulled out our cameras and took some pictures. Alas, there is not one with all three of us. I didn’t know how to operate my time delay, and by the time Lee figured his out, Terry was ready to get going, reminding us that bears liked to nap during the hot afternoon, but rouse when it begins to cool off. We’d also heard there’d been a carcass discovered on the south trail, which would be attracting scavengers. She had bear spray, but would only use it if she were about to be attacked. “Well, I guess we’re out of luck, Lee,” I laughed uneasily.

Terry wanted to see where lower Jade Lake was, so we hiked just a short distance and saw it rather far below from our vantage point. It would have been a heck of an uphill hike out, and we just didn’t have the time before it would be dusk.
 
Read Part 2 herre:  http://wyomingarts.blogspot.com/2010/10/hiking-nonfiction-wyoming-trail-with.html
 
Linda Coatney